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      <image:title>Filmmakers - A Thousand Little Trees of Blood - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.tinyhours.ca/filmmakers/blog-post-friedfishandplantain</loc>
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      <image:title>Filmmakers - Fried Fish &amp;amp; Plantain - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - Fried Fish &amp;amp; Plantain - Director. Paul-Daniel Torres</image:title>
      <image:caption>is a writer, actor and community worker, born in the heart of Toronto. He grew up between the apartments next to the Jane and Finch Mall, St. Judes on Weston Road, and next to a dumpster in Thornhill. He was raised by his parents Mery and Paul, Ecuadorean immigrants (a cleaning lady and a superintendent, both with university degrees) who’d take him to the movies every Tuesday and Blockbuster every Friday. This upbringing shines through in his visually and sonically eclectic style, inspired by the multicultural mosaic of Toronto and the Latine diaspora. Through his work he explores the pros and cons of the “immigrant dream”, being a child of immigrants on stolen land, race, class, education, mental health, identity, community and how these all intersect within neo-colonial systems. Ultimately, how it affects our ability to love and connect with one another. However, at his heart, he’s an entertainer, who wants his films to teach and enthrall. Outside of film, Paul-Daniel Torres is also an installation artist featured at the Bata Shoe Museum (2020) and the Whippersnapper Gallery. As well as a Canadian League of Poets member; and most importantly is helping to take care of his ailing grandmother and his young nieces Serena and Celeste, who he all loves dearly.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - LET THE MYTH BE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - LET THE MYTH BE - Director. Carrington Walsh</image:title>
      <image:caption>is a genre writer-director originally from Los Angeles, CA, but has lived all over from Europe to North America. As a Black-American-Canadian who was once a competitive cheerleader turned hockey player, Carrington is used to defying expectations. Influenced by her experiences as the golden child at her high school, the Deputy Chief of Staff for the Democratic Party, and a Harvard graduate, most of her villains are institutions. She thrives within institutional structures, but has reckoned with complex emotions upon realizing that the same establishments that have championed her have harmed others. Recipient of the Trevis Ballard Just Keep Swimming Foundation Artist Grant and winner of Roadmap Writers’ Diversity Fellowship, she was also selected for Reelworld’s Emerging 20 Program and a finalist in Harvardwood’s TV Writer’s Competition. Her directorial debut short film LET THE MYTH BE premiered at the Micheaux Film Festival in Los Angeles and screened at Another Hole in the Head. Whether through crime thrillers or grounded sci-fi/fantasy mysteries, Carrington loves asking questions of multifaceted identities, much like the ones she’s unpacked herself.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - SURFISTAS - Director. Meagan Enriquez</image:title>
      <image:caption>is a Filipino-Canadian, first-time director making her debut with this film. With a background as an Art Director for leading advertising agencies, Publicis and We Are Social, she has worked on campaigns for brands such as Samsung, Infiniti and TurboTax. While this documentary marks the beginning of her directing experience, Meagan brings a strong sense of intention, curiosity and openness to collaboration. Director of Photography/Executive Producer. Christina Ienna is a Italian-Canadian award-winning cinematographer and filmmaker. She has extensive experience in documentary, narrative and commercial production. She serves on the Board of the Canadian Society of Cinematographers and Co-Chairs the Education Committee, creating educational initiatives, workshops and mentoring opportunities for emerging cinematographers.</image:caption>
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      <image:title>Filmmakers - A Good Day Will Come - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - A Good Day Will Come - Director. Amir Zargara</image:title>
      <image:caption>Amir Zargara is an award-winning Iranian-Canadian (BIPOC) writer and director, whose unique perspective is shaped by the cultural mosaic of Iran and Canada. His journey, characterized by the resilience of an immigrant and the challenges of living with a stutter, deeply influences his approach to filmmaking. An alumnus of prestigious programs at Berlinale, TIFF, Busan, Zurich, and Reykjavik, he explores the moral complexities individuals face in his films. His short film A GOOD DAY WILL COME qualified for the Oscars and received over 70 awards and mentions across more than 100 film festivals worldwide.</image:caption>
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      <image:title>Filmmakers - Craft Takes Labour - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Filmmakers - Craft Takes Labour - Director. Gabriel Hutchinson</image:title>
      <image:caption>Gabriel Hutchinson is a Toronto-based photographer and filmmaker whose work bridges cinematic portraiture and documentary storytelling. Originally from the UK, he has produced editorial and commercial commissions for organisations including the BBC, Associated Press and The Globe and Mail, photographing public figures and communities both in studio and on location internationally, including at major cultural events such as the Cannes Film Festival.</image:caption>
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